Jin and Sun as Figures of Tragedy

I feel like I can always count on episodes of Lost that are centered on Jin and Sun to bring tears to my eyes. There’s a subtle, consistent thread that exists about these two; they are figures of traditional tragedy, especially tonight.

Okie, that’s all I’ll say plot-wise, because I know some of you may have DVR’d it. I’ll try to express this without giving it away.

The story of Jin and Sun has an inherent overtone of tragedy. Sun’s secrets have always made the story quite tense and Jin’s undying devotion to his wife just makes it all the worse. It’s sad to see them struggle with their lives and relationship.

In many ways I feel like this couple is also an homage to Asian cinema. I have yet to run across a truly happy Asian film. Most Asian cinema is just really, really damn sad. If you want a feeling of complete despair, I challenge you to check out Farewell, My Concubine or Raise the Red Lantern (MGM World Films). Don’t get me wrong, this is good, hard stuff, but it’s really tragic.

I didn’t really understand them to be an homage to Asian cinema until I pointed out tonight that every Jin/Sun story in Lost is quite tragic, leading up to what will surely be quite a tragic end to their plot thread. My wife simply smiled and summed it up, “They’re Asian.”

Wink wink, nod… yes, they’re Asian, and it’s entertainment, so by design, I expect their story to have a terribly tragic ending I’m sure. I’ll applaud all the way to the Kleenex box.